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John McPhee

John McPhee began contributing to The New Yorker in 1963. He has written more than a hundred pieces for the magazine, among them a Profile of Senator Bill Bradley during his days as a Princeton basketball star, an examination of modern-day cattle rustling, and several multipart series on a wide range of subjects, including Alaska; a voyage as a passenger on a merchant ship down the west coast of South America; a stint with the Swiss Army; and the writing process. In 1955 and 1956, he wrote for television, before joining Time, to which he contributed pieces about show business until 1964. He has taught writing at Princeton University since 1975 and was awarded Princeton’s Woodrow Wilson Award, for service to the nation, in 1982. He is the author of thirty books, all of them based on his writing for The New Yorker. Among them are “Coming Into the Country,” which was nominated for a National Book Award; “Encounters with the Archdruid”; “The Control of Nature”; “Looking for a Ship”; “The Ransom of Russian Art”; and “Annals of the Former World,” which won the 1999 Pulitzer Prize for general nonfiction. His most recent books are “Draft No. 4” and “The Patch.”

Under the Carpetbag

A sixty-year friendship.

Direct Eye Contact

The most sophisticated, most urban, most reproductively fruitful of bears.

Omission

Choosing what to leave out.

Frame of Reference

To illuminate—or to irritate?

Editors & Publisher

The name of the subject shall not be the title.

Pat Crow

Under the Carpetbag

A sixty-year friendship.

Direct Eye Contact

The most sophisticated, most urban, most reproductively fruitful of bears.

Omission

Choosing what to leave out.

Frame of Reference

To illuminate—or to irritate?

Editors & Publisher

The name of the subject shall not be the title.

Pat Crow