Richard Brody
Richard Brody began writing for The New Yorker in 1999 and has contributed articles about the directors François Truffaut, Jean-Luc Godard, and Wes Anderson. Since 2005, he has been the movie-listings editor at the magazine; he writes film reviews and a blog about movies. He is the author of the book “Everything Is Cinema: The Working Life of Jean-Luc Godard” and is at work on a book about the lasting influence of the French New Wave.
All Work
The Front Row
“Old,” Reviewed: M. Night Shyamalan’s New Old-School Sci-Fi Movie
With spare methods and sharp images, the director turns a simple premise into potent fantasy.
By Richard BrodyJuly 22, 2021
The Front Row
Review: “Space Jam 2,” “Roadrunner,” and the Misplaced Hand-Wringing Over Digital Manipulations
Two new movies dramatize the power and the peril of the new audiovisual mediaverse.
By Richard BrodyJuly 20, 2021
The Front Row
“Pig,” Reviewed: Nicolas Cage Is the Only Reason to Watch
As a mournful, weary hermit in search of his kidnapped truffle pig, the actor bypasses the movie’s mediocre ideas to create some extraordinary moments.
By Richard BrodyJuly 17, 2021
The Front Row
“No Ordinary Man,” Reviewed: Portrait of an Artist Enduring Transphobia After His Death
The filmmakers Aisling Chin-Yee and Chase Joynt challenge the public record about Billy Tipton, a trans jazz musician who died in 1989.
By Richard BrodyJuly 16, 2021
The Front Row
“Casanova, Last Love,” Reviewed: A Historical Drama Evokes Modern Injustices
Stacy Martin stars as a woman who, in defying the infamous seducer, lays bare an oppressive social order.
By Richard BrodyJuly 14, 2021
The Front Row
“The Woman Who Ran,” Reviewed: A Provocative, Profound Drama of Marriage, Friendship, and Solitude
Hong Sang-soo’s film relies on disturbing ironies to approach the mightiest of subjects: the nature of happiness.
By Richard BrodyJuly 8, 2021
The Front Row
“Scarface” Startles Anew on the Criterion Channel
It’s time to watch Howard Hawks’s gangster masterpiece again.
By Richard BrodyJuly 6, 2021
The Front Row
“No Sudden Move,” Reviewed: Steven Soderbergh’s New Crime Drama Is a Brisk Nostalgia Trip
The film, set in 1954 Detroit, involves corporate espionage and racial politics, but does so superficially.
By Richard BrodyJuly 1, 2021
The Front Row
“Zola,” Reviewed: A Twitter Thread Takes an Ingenious and Audacious Cinematic Form
Teeming with unhinged action and rarefied style, Janicza Bravo’s film brilliantly reflects its social-media origin without mimicking it.
By Richard BrodyJune 29, 2021
The Front Row
In Revival and Streaming: “Le Cercle Rouge,” a Crime Thriller in Which Knowledge Is Power
Jean-Pierre Melville’s 1970 heist film, starring Alain Delon, delights in the meticulous crime-craft that informs the action.
By Richard BrodyJune 25, 2021
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