“Everybody fucking knows. . . . I got smacked, like, a year ago,” the comedian finally says at the end of his Netflix special, as if that’s not the reason we’re all here.
Nikole Hannah-Jones’s documentary series offers a damning portrait of American racism, but its emphasis on the past at times obscures the complexity of the present.
The showrunner Taylor Sheridan has been given wide latitude to iterate on the world of the Dutton ranching family, but he’s best when honoring his Western’s melodramatic core.