The Magazine
July 6 & 13, 2020
Reporting
A Reporter at Large
How Prosperity Transformed the Falklands
Once a distant outpost of the British Empire, the islands have become a global crossroads. In the season of the coronavirus, the intimate communities may evolve yet again.
By Larissa MacFarquhar
American Chronicles
The True Cost of Dollar Stores
Discount chains are thriving. But what do they do to poor communities?
By Alec MacGillis
The Political Scene
Why the Mueller Investigation Failed
President Trump’s obstructions of justice were broader than those of Richard Nixon or Bill Clinton, and the special counsel’s investigation proved it. How come the report didn’t say so?
By Jeffrey Toobin
Annals of Science
The Rabbit Outbreak
A highly contagious, often lethal animal virus arrives in the United States.
By Susan Orlean
The Critics
Books
What Happens When David Mitchell Writes a Rock Novel?
A conventional story of a band’s rise turns into a book on another plane entirely.
By Jonathan Dee
Musical Events
Musicians and Composers Respond to a Chaotic Moment
The pandemic and the protests inspire works of lamentation and rage.
By Alex Ross
On Television
Michaela Coel’s Chaos and Charisma in “I May Destroy You”
The HBO series about the aftermath of sexual assault is a hangout vehicle, a detective story, and a comic bildungsroman.
By Doreen St. Félix
A Critic at Large
The Unruly Genius of Joyce Carol Oates
In an era that fetishizes form, Oates has become America’s preëminent fiction writer by doing everything you’re not supposed to do.
By Leo Robson
The Current Cinema
A Cynical View of Heartland Politics in “Irresistible”
Is Jon Stewart’s new comedy a sendup of big-time political operatives or of small-town America?
By Anthony Lane
The Talk of the Town
Amy Davidson Sorkin on the new COVID-19 spikes; the fireworks conundrum; Bill Nighy’s threads; problematic wallpaper; prepper real estate; summer evening.
Dept. of Pyrotechnics
A Black-Market Fireworks Dealer Explains This Year’s Boom
He’s skeptical about the conspiracy theories; his customers are post-lockdown revellers, looking to blow off steam.
By Anna Boots
Well-Turned-Out Dept.
Bill Nighy’s Obsessions, Onscreen and Off
It wasn’t too hard for the British actor to get into character for the new movie “Sometimes Always Never,” in which he plays a music-loving Merseyside tailor.
By Sarah Larson
Dept. of Renovations
What to Do About a Room with a “Vues”?
The wallpaper “Les Vues d’Amérique du Nord” was criticized for being too French when it was first installed in the White House. Now the Spence School is removing the paper from its walls, after black students said that it “glorifies the trans-Atlantic slave trade and abuse of Indigenous peoples.”
By Rumaan Alam
Goldendale Postcard
Would You Like to Buy a Bunker?
Janeece Smith, a real-estate agent in Washington State, sells property to people who are trying to escape from big cities like Seattle. Business is booming.
By Charles Bethea
Comment
The Tragedy of the New Coronavirus Spikes
The pandemic’s epicenter is shifting, and Trump still refuses to act responsibly; Republican governors need to decide if they will.
By Amy Davidson Sorkin
Shouts & Murmurs
Cartoons
1/18
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Fiction
Fiction
“A Transparent Woman”
“She asked if she was under arrest. No, what made her think that? They were just going to have a little chat. The threat hidden in that twee bloodless phrase.”
By Hari Kunzru
Poems
Goings On About Town
Tables for Two
Foraged Foods Shorten the Supply Chain
Chicken-of-the-woods mushrooms that fry up like their namesake, snappy sea beans that need no extra salt, sassafras syrup, and other edible offerings from the wilds outside the city limits.
By Hannah Goldfield
Classical Music
Caramoor’s Reënvisioned Summer Festival
The estate and classical-music destination will offer online concerts, including a live-streamed recital by the pianist Inon Barnatan, and outdoor events that allow for social distancing.
The Mail
Letters should be sent with the writer’s name, address, and daytime phone number via e-mail to themail@newyorker.com. Letters may be edited for length and clarity, and may be published in any medium. We regret that owing to the volume of correspondence we cannot reply to every letter.