Skip to main content

The Magazine

March 8, 2021

Subscribers have access to the complete archive.Browse past issues »

Reporting

Letter from Gambia

Fish Farming Is Feeding the Globe. What’s the Cost for Locals?

In the small coastal country, an exploding industry has led to big economic promises, and a steep environmental price.
Personal History

How to Practice

I wanted to get rid of my possessions, because possessions stood between me and death.
Annals of Technology

How to Build an Artificial Heart

Millions of hearts fail each year. Why can’t we replace them?
A Reporter at Large

Last Exit from Afghanistan

Will peace talks with the Taliban and the prospect of an American withdrawal create a breakthrough or a collapse?

The Critics

Books

When the Barbizon Gave Women Rooms of Their Own

The story of New York City’s most famous women-only hotel is also a story of class and sexual politics in the twentieth century.
Books

Kazuo Ishiguro Uses Artificial Intelligence to Reveal the Limits of Our Own

In his latest novel, the gaze of an inhuman narrator gives us a new perspective on human life, a vision that is at once deeply ordinary and profoundly strange.
Books

Briefly Noted

“In Memory of Memory,” “American Baby,” “Cathedral,” and “The Weak Spot.”
Podcast Dept.

The Musicological Zest of “Switched On Pop”

The show’s hosts deliver charmingly rigorous dissections of Taylor Swift and Weeknd songs, slipping in a fair amount of music history and theory.
On Television

The Dizzying Hairpin Turns of “Behind Her Eyes”

It is hard to tell who is warden and who is prisoner, who is crazy and who is sane, and the Netflix show revels in this uncertainty.
The Current Cinema

Anthony Hopkins Rules the Screen in “The Father”

Florian Zeller’s adaptation of his play about old age shows Hopkins at the frightening summit of his powers.

The Talk of the Town

Amy Davidson Sorkin on hope amid COVID; touring the rooms at the top; a P.S.A. for the M.T.A.; mining Minecraft for wisdom; true selves on display.

Worst Case Dept.

Problem-Solving with Minecraft’s Zombies

Mel Brooks’s son, the author and worst-case scenarist Max Brooks, thinks his new novel, based on the video game, can teach kids critical-thinking skills, like how to approach asymmetric warfare.
Authenticity Dept.

Tallying the Lost Years for L.G.B.T. Seniors

An art exhibition at a Brooklyn retirement home features twelve of the country’s three million L.G.B.T. elders, many of whom fear having to go back into the closet when they enter senior housing.
Hometown Heroes

An Instagram Influencer Recruits A-Listers to Help Rescue the M.T.A.

The documentarian Nicolas Heller, better known as New York Nico, has championed bodega owners online. Now he’s recording new subway announcements with Jerry Seinfeld, Remy Ma, and Fran Lebowitz to boost morale and shame door holders.
Comment

With a Third Vaccine, from Johnson & Johnson, Are We Finally Winning Against COVID-19?

It’s been a year of emotional ups and downs, but for now, at least, even with more variants of the virus, the ups seem to be winning.
Sky Line Postcard

Andi Schmied’s Billionaire-Espionage Art Project

The Hungarian artist, undercover as an oligarch, infiltrated Manhattan’s ultra-luxury high-rises with her fake husband, Zoltan, for a book of intentionally unartful photos.

Shouts & Murmurs

Shouts & Murmurs

Beyond Hygge

Cartoons

1/11

“I just want to name her something that one day will be a great crossword-puzzle clue.”
Cartoon by Pia Guerra and Ian Boothby

Fiction

Fiction

The Crooked House

Puzzles & Games Dept.

Crossword

The Crossword: Monday, March 1, 2021

A challenging puzzle.

Poems

Poems

Number Theory

Goings On About Town

Tables for Two

Vietnamese Specials at Ha’s Đặc Biệt

Anthony Ha and Sadie Mae Burns, who worked in high-profile kitchens until last March, opened a pop-up offering set meals and add-ons, for delivery or takeout, inspired by home cooking, their travels in Vietnam, and whatever strikes their fancy.
Art

The Unparalleled Art of Lorraine O’Grady

On March 5, the Brooklyn Museum opens a retrospective of the artist, who has been centering Black lives in her performances and photo-based works for four decades.
Mail
Letters should be sent with the writer’s name, address, and daytime phone number via e-mail to themail@newyorker.com. Letters may be edited for length and clarity, and may be published in any medium. We regret that owing to the volume of correspondence we cannot reply to every letter.