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The Magazine

August 9, 2021

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Reporting

A Reporter at Large

The Big Money Behind the Big Lie

Donald Trump’s attacks on democracy are being promoted by rich and powerful conservative groups that are determined to win at all costs.
Profiles

The Epic Style of Kerry James Marshall

The artist, a virtuoso of landscape, portraiture, still-life, history painting, and other genres of the Western canon since the Renaissance, can do anything.
Personal History

Happy-Go-Lucky

“Who are you?” I want to ask the gentle gnome in front of me. “And what have you done with Lou Sedaris?”
Brave New World Dept.

The Seas Are Rising. Could Oysters Help?

How a landscape architect is enlisting nature to defend our coastal cities against climate change—and doing it on the cheap.

The Critics

Pop Music

The Brash, Exuberant Sounds of Hyperpop

The genre’s artists have resisted classification by honing a new kind of buoyant, absurdist pop.
Books

Briefly Noted

“This Is Your Mind on Plants,” “Islands of Abandonment,” “Virtue,” and “The Beginners.”
Books

Sunjeev Sahota’s Novels of Arrival and Departure

In “China Room,” the journeys of immigrants divide stories and selves.
Books

Kaveh Akbar Finds Meaning in Misunderstanding

In “Pilgrim Bell,” the poet turns illegibility into a site of creativity, taking apart familiar language and reassembling unexpected truths.
The Current Cinema

“The Green Knight” Wields Intermittent Magic

An uneasy blend of the bygone and the new, David Lowery’s adaptation of an Arthurian tale succeeds most when he is consumed by cinema’s capacity to measure and manipulate time.

The Talk of the Town

Sue Halpern on the House’s January 6th hearing; David Adjaye’s citadel; of Mitfords and flowers; a menu made of memories; taking the show on the road.

Transplant Dept.

An Undocumented Chef’s Menu of Memories

Iván Garcia, the restaurateur and the subject of the film “I Carry You With Me,” can’t go back to Mexico, where his son, granddaughter, and mother live. So he creates dishes based on the cooking of the grandmothers and nuns back home.
Fictional Anthropology

David Adjaye Tries Rammed Earth

When the British architect and his family got locked down in his parents’ homeland of Ghana, last year, he was inspired by their low-slung local village to create a structure that serves no practical purpose—an art work—now on display at the Gagosian gallery.
Road Show

Performing Off Broadway, While Driving Off Broadway

A former cab driver turned playwright created a site-specific performance called “Taxilandia,” which takes place in a cab around Bushwick and swaps out intermission for a stop at a bodega.
Comment

Why Republican Leaders Ignored the January 6th Hearing

The House select committee’s task is to establish who knew what about the insurrection—but most Republicans don’t seem to want to find out.
Adaptation

Emily Mortimer and the Vulgar Dahlias

The British actress turned director channels her father’s memories of the Mitford sisters—two affiliated with the Communist Party, one a friend of Hitler, one a duchess—to the small screen, in a BBC adaptation of “The Pursuit of Love.”

Shouts & Murmurs

Shouts & Murmurs

Left Behind

Cartoons

1/15

“Don’t ask me. I only look like an adult in the vacuum of summer camp.”
Cartoon by Robert Leighton

Fiction

Fiction

Superstition

Puzzles & Games Dept.

Crossword

The Crossword: Friday, July 30, 2021

A lightly challenging puzzle.

Poems

Poems

Notes Toward an Elegy

Poems

Handbag

Goings On About Town

Art

Robert Longo’s Cinematic Works

The artist’s charcoal-on-paper works, epic in both subject matter and scale, are on view in an exhibition, opening on Aug. 7, at Guild Hall, in East Hampton.
Tables for Two

Contento’s Joyful Commitment to Inclusivity

The sommelier and co-founder Yannick Benjamin, who uses a wheelchair, designed this new East Harlem restaurant, with a Peruvian-inspired menu, to accommodate both diners and staff members with disabilities.
Mail
Letters should be sent with the writer’s name, address, and daytime phone number via e-mail to themail@newyorker.com. Letters may be edited for length and clarity, and may be published in any medium. We regret that owing to the volume of correspondence we cannot reply to every letter.