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This volume is a deconstruction of photographs of the author's own childhood. As an eight-year-old, the young Annette assembled her own family album containing portraits of herself and her mother… Expand
Dominant cinema rereading dominant cinema - feminism and film theory replacing dominant cinema - feminism and film practice.
From the enchanted surroundings of cinemas to the heightened romance of cinema going - on screen and in the back row - Annette Kuhn explores cinema-going in the 1930s, when 'going to the pictures'… Expand
Signs: Journal of Women in Culture and Society
On sexual difference: Let's start with these small points. One day Zeus and Hera, the ultimate couple, in the course of one of their intermittent and thoroughgoing disagreements-which today would be… Expand
This essay focuses on re-enactments of the past through performances of memory both in and with visual media, and looks at how these may embody, express, work through, and even unpick,… Expand
Preface. Notes on contributors. 1. Feminism and Annette Kuhn and AnnMarie Wolpe 2. Patriarchy and relations of production Roisin McDonough and Rachel Harrison 3. Structures of patriarchy and capital… Expand
Recent years have seen a flowering of research and scholarship on cultural memory across the humanities and social sciences. Among the many facets of this work is a quest to extend and deepen… Expand
Analyses a wide range of film and still photographs to explore culturally dominant images and how they work. Extensively illustrated, this challenging collection of essays is essential reading for… Expand
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