DOI:10.1386/FIIN.5.4.77
Corpus ID: 191464512
Currying favour: eastern media influences and the Hausa video film
A. U. Adamu
Published 2007
Art

Film International
View Via Publisher
Share This Paper




8 Citations
Highly Influential Citations
1
Background Citations
2
Paper Mentions
News Article
Entre Nollywood et Bollywood, une rencontre culturelle qui ne va pas de soi
The Conversation
9 December 2018
8 Citations
Post-imperial affinities and neoliberal convergences: discourses and practices of collaboration between the Nigerian and the Indian film industries
Alessandro Jedlowski
Sociology
2018
Over the past three decades, South-South economic interactions have multiplied. Within this landscape, media industries have come to occupy a relevant position, at the crossroad between soft power… Expand
4 Citations
Hindi Films, Bollywood, and Indian Television Serials: A History of Connection, Disconnection, and Reconnection in Tamale, Northern Ghana
Katie Young
History
2021
This article explores the circulation and reception of Indian media (including films and more recently television series) in the majority Muslim city of Tamale, Northern Ghana. This includes the ar...
Latin American telenovelas and African screen media: from reception to production
Alessandro Jedlowski, Cacilda M. Rêgo
History
2019
ABSTRACT Latin American telenovelas began to be widely broadcast on African screens between the late 1970s and early 1980s, and today are among the most popular entertainment products on the… Expand
Going Beyond Boundaries: There is a Way and the Use of English Medium in Hausa Film Industry
M. Ibrahim, A. Yusuf
History
2018
Since its inception in 1990, Kannywood, the Northern Nigerian film industry, produced films only in Hausa, the dominant language of the region. The film, There is a Way (2016, dir. Falalu A. Dorayi)… Expand
Transcultural Language Intimacies: The Linguistic Domestication of Indian Films in the Hausa Language
A. U. Adamu
History
2018
An Assessment of the Economics of the Benin Language Film in Nigeria
O. Omoera
Art
2014
Video film has become a major performance art form in Nigeria. Akinosho (2002, 39) says it is “the contemporary equivalent of the Onitsha market literature” (OML). This comparison may be due to three… Expand
The Language of Hausa Films: Forging a New Discourse
I. Chamo
Sociology
2012
The paper studies Hausa film language through the analysis of three communication strategies, namely proverbs, imperatives and forms of address. It shows that Hausa film creates a new discourse by… Expand
1 Citation
A literature review: Nigerian and Ghanaian videos
J. Haynes
Sociology
2010
The main purpose of this review of the published academic literature on Nigerian and Ghanaian video films is to foster self-awareness in this new field of study. This literature has been produced on… Expand
35 Citations
Related Papers
Documenting Ourselves: Film, Video and Culture
P. Henley, S. Sherman
Art
1997
Documenting Ourselves: Film, Video, and Culture. By Sharon R. Sherman (Lexington:The University Press of Kentucky,1998. ...
38 Citations
The New Film History as Media Archaeology
T. Elsaesser
Art
2005
The article assesses the impact of digital technologies on our understanding of film history. While the “New Film Histor...
61 Citations
Show More
2/10
Abstract
Paper Mentions
8 Citations
Related Papers
Stay Connected With Semantic Scholar
What Is Semantic Scholar?
Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI.
Learn More
About
About Us
Publishers
Beta Program
Contact
Research
Team
Datasets
Open Corpus
Supp.ai
Resources
Librarians
Tutorials
FAQ
API
Proudly built by AI2
Terms of ServicePrivacy Policy
By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License
ACCEPT & CONTINUE