DOI:​10.21313/hawaii/9780824832926.003.0005
Corpus ID: 185785027
The Gothic Novel
L. Morton
Published 2009
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9 Citations
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9 Citations
The condition of recognition: Gothic intimations in Andrew McGahan's The White Earth
S. Green
ArtQueensland Review
2016
Abstract This article discusses the evocation of the Gothic as a narrative interrogation of the intersections between place, identity and power in Andrew McGahan's The White Earth (2004). The novel… Expand
Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister’s Music Videos
Tomasz Fisiak
Art
2020
The following article is going to focus on a selection of music videos by Shakespears Sister, a British indie pop band consisting of Siobhan Fahey and Marcella Detroit, which rose to prominence in… Expand
Intermediality and polymorphism of narratives in the Gothic tradition
Z. Ihina
Art
2018
Abstract This article deals with polymorphous features of Gothic narratives seen as stories about supernatural events. Polymorphism reveals itself as a property of a narrative to be reinterpreted in… Expand
2 Citations
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Revisiting the myth of Pygmalion: the uses of the myth in the Modern Era and Mary Shelley’s Frankenstein
J. Costa
Art
2018
Resumo: O presente estudo tem por matéria de análise a obra gótica de Mary Shelley, Frankenstein ou o Prometeu Moderno, datada de 1818. Pretende-se, além da exposição dos grandes temas sobre os quais… Expand
Main Vampire Protagonists in Joseph Sheridan Le Fanu's Carmilla and Bram Stoker's Dracula: A Comparison
Jana Líčeníková
Art
2016
This bachelor's thesis analyses the main vampire protagonists in Carmilla (1872) by Joseph Sheridan Le Fanu and in Dracula (1897) by Bram Stoker. The first part of the thesis outlines the features… Expand
The Liminal Mirror: The Impact of Mirror Images and Reflections on Identity in The Bloody Chamber and Coraline
Staci Poston Conner
Art, Psychology
2014
1 Citation
Representations of gothic children in contemporary irish literature: a search for identity in Patrick McCabe's The Butcher Boy, Seamus Deane's Reading in the Dark, and Anna Burns' No Bones
Kelly Ratte
Art
2013
1 Citation
The Immor(t)al Monstrosities of the Victorian Gothic: Temporality and Otherness in Bram Stoker's Dracula
C. Angelis
Art
2010
one. Characteristically, not only were the critics unsure about the source of this feeling of uneasiness, “they weren’t sure whether the author was sure either [emphasis added]” (viii). In addition,… Expand
Haunted Noir: Neo-Gothic Barcelona in Carlos Ruiz Zafón's La Sombra del Viento
Tiffany Gagliardi Trotman
History
2007
Abstract The origin of fiction of detection and in particular roman noir or novela negra may be traced back to the dark and gloomy narratives of the eighteenth-century Gothic novels. In these tales… Expand
1 Citation
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