The writer dream hampton thinks hip-hop is broken. But she can’t stop trying to fix it.
The Tortured Poets Department excavates her private life more deeply than ever—but somehow, it’s a story we’ve heard before.
J. Cole dared to insult Kendrick Lamar—and, more surprisingly, he immediately apologized for it.
Beyoncé’s Cowboy Carter is an exploration of country—not just the musical genre, but America itself.
The singer’s confrontational spin on Dolly Parton’s “Jolene” is the key to understanding Act II: Cowboy Carter, her new album.
Despite his supposed cancellation, the Hitler-praising rapper has his first No. 1 single since 2011.
Ariana Grande has turned her divorce drama into music that’s beautiful—and a little poisonous.
Ryan Gosling’s performance of “I’m Just Ken” was an irony-meets-sincerity spectacle.
The producer who helped build Taylor Swift’s empire of nostalgia is still finding new ways to explore the past.
Hurray for the Riff Raff has made the next great American road album.
Jennifer Lopez would like us to take her seriously now.
In performing an instant-classic awards-show set, she affirmed her timelessness—and her influence on a new generation of artists.
Lil Nas X is a provocateur, a troll, an individualist … but he also really, really wants to be liked.
Green Day is still attracting controversy, and listeners, with its blend of politics and punk.
Pitchfork challenged a generation of music listeners. Is there still a place for it?
She’s something different to everyone.
Her greatest-hits tour has the feeling of a memorial—a spectacular one.
A year of great music offers a reminder that more really can be more: more melodies, more breakthroughs, more art.
What happens when killer Barbie grows up?
His campaign is promising a more repressive and dangerous America.
The Renaissance concert movie is joyful but jumbled—and less about the star than about her audience.